Kwame Alexander, Newberry Award-winning author of The Crossover, looked out across the sea of 2,000 introverts and defied every tenet of writerly reserve. “Say ‘yes,’” he said. Say ‘yes’ to the opportunity, the challenge, even to the indignities of selling your work. There is power in your words.
Kwame has a bus now with a living room and seven flat-screen TVs. His name is scrawled across the side. He got his break taking a hay bale and 100 copies of his book to a farmer’s market in Reston, Virginia. Now he’s traveling the country on a 30-day tour.
His confidence and energy was enough to make even the most reluctant writer stand up and cheer, which we did. Speaking as the opening keynote of the 2018 Festival of Faith and Writing, Alexander said, “I have faith in my writing.”
I needed that.
This is my sixth visit to the FFW. The biennial gathering of authors, publishers, readers, and others never fails to inspire. Even before Kwame took the stage at the Van Noord Arena at Calvin College in Grand Rapids, Michigan, I was primed.
I was recalling the 2008 session when I first heard Mary Karr talk about the spiritual advisor who asked her, “What would you write if you weren’t afraid?” I walked out of the session, sat under a nearby tree, asked myself the same question, and God spoke. It was the Renaissance of my writing life.
I remembered Gene Luen Yang in 2010 who turned me on to graphic novels like his American Born Chinese, and briefly made me believe I could draw. The poets Mary Szybist and Kimberly Johnson whose shared session in 2014 made me a daily reader of poetry. Franz Wright, Marilynne Robinson, Scott Cairns, Krista Tippett—I met them all here.
So yesterday, I soaked in the vibe, ready to hear God again in these varied artists. I attended a session on editing and learned that the double space after periods is dead. I got to talk with The Atlantic’s Emma Green about reporting from the Holy Land. Jonathan Merritt taught me how to be a blogger, (reminding me of how much he influenced the form of Heartlands). And I cringed at the world of publicity that a panel of writers and publicists opened up.
I also sat under the tree again—the Michigan Tree as I call it. A scrubby spruce in front of Calvin Seminary. I remembered what I had heard God say, so clearly, before—Be free, tell the truth, don’t do it alone, seek the peace of Szybist. And transgressing propriety, I asked for something more.
The tree is a reliable means of grace and did not disappoint yesterday either. “Travel light,” I heard. “Be less than you think you have to be,” I heard. “Embrace,” I heard.
There is power in words. And beauty. And life.
3 responses to “Sitting Beneath the Michigan Tree: Back at the Festival of Faith & Writing”
[…] herself complains about this perception in a recent Paris Review article and a lecture at the Festival of Faith and Writing in which she talked about an all-men’s book club that shifted uncomfortably when she came to […]
[…] in my own development as a writer and human being that was spurred by her 2008 presentation at the Festival of Faith & Writing. But my very first introduction to Karr, the memoirist and poet, was a book that was given to me by […]
[…] I’ve gushed about Kimberly Johnson’s poetry on this blog before. Called Johnson “one of our best living poets.” Noted that she is “the rare poet who consistently evokes for me the presence of the barely-cloaked divine.” Credited her with making me a daily reader of poetry. […]