
I’ve gushed about Kimberly Johnson’s poetry on this blog before. Called Johnson “one of our best living poets.” Noted that she is “the rare poet who consistently evokes for me the presence of the barely-cloaked divine.” Credited her with making me a daily reader of poetry.
So when Johnson produced a new collection in 2022, I sought it out. She didn’t disappoint, though this collection comes as the fruit of a painful personal journey through the loss of her spouse and colleague, the poet Jay Hopler.
The conceit of the book is to investigate a word beginning with ‘F’ while also keeping in sight the tables that delineate causes of death in the United States. The result is poignant, raw, and beautiful.
As always there are the well-observed images that open whole worlds. As in ‘Farthingale’ (a hooped petticoat, I had to look it up), where she meditates on the wildness that is nurtured by stricture:
It’s the lid sets the teakettle rocking
At the boil,
The shell’s song the gunpowder sings.
In ‘Font’ she meditates on the constraints and loves of motherhood, renouncing the ‘extravagant, captious, chancy moon’ that would lure her away from helping a son with homework in the same way a penitent renounces sin at baptism–with an acknowledgement that it still retains it’s allure.
I’ll forsake
All that charismatic
Nonsense in the name of the son
And of the son and of the haloed glow
From that dim lamp
That holds us here as one, for now.
It’s beautiful and human without ever losing sight of the loss going on all the time. Something stated baldly in ‘F-word’:
How foolish I for fretting after silver
Linings, as if loss were not the principle
Of love.
Kimberley Johnson’s Fatal is #6 on this year’s list. For my podcast interview with her click here.
#7 – Night of the Living Rez by Morgan Talty
#8 – Super-Infinite: The Transformations of John Donne by Katherine Rundell
#9 – A Place Like Mississippi by W. Ralph Eubanks
#10 – Shaking the Gates of Hell by John Archibald
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